Ghost

So… in some of his interviews, Gene Simmons has asked: Where are the new Beatles? The new Metallica? The new Iron Maiden? You name it.
And honestly? I’m pretty sure we do have a modern, major, classic-sounding band/project right now.
It’s the era of Ghost.*

(Yes, Tobias for sure calculates things — he blends classic rock with very melodic, even pop-tinged choruses, whatever. But everything he does, he does at a very high professional level — and with love.)
The new album feels like a love letter to ‘80s arena rock, and to the rock/metal scene as a whole.

*And I’m pretty sure that, back when Metallica released Ride the Lightning, very few people immediately realized that the new gods had arrived.
In the eye of the storm, it’s always hard to see the bigger picture.

Edit: And Tobias really does love guitar harmonization — which I’m a huge fan of myself. Meanwhile, Maiden have almost completely abandoned that approach to songwriting, which, in my opinion, is one of the worst decisions of their entire career.
 
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So… in some of his interviews, Gene Simmons has asked: Where are the new Beatles? The new Metallica? The new Iron Maiden? You name it.
And honestly? I’m pretty sure we do have a modern, major, classic-sounding band/project right now.
It’s the era of Ghost.*

(Yes, Tobias for sure calculates things — he blends classic rock with very melodic, even pop-tinged choruses, whatever. But everything he does, he does at a very high professional level — and with love.)
The new album feels like a love letter to ‘80s arena rock, and to the rock/metal scene as a whole.

*And I’m pretty sure that, back when Metallica released Ride the Lightning, very few people immediately realized that the new gods had arrived.
In the eye of the storm, it’s always hard to see the bigger picture.

Edit: And Tobias really does love guitar harmonization — which I’m a huge fan of myself. Meanwhile, Maiden have almost completely abandoned that approach to songwriting, which, in my opinion, is one of the worst decisions of their entire career.
Agreed, there is often this discussion about whether Ghost is 'metal' or not. The truth is it doesn't actually matter, they are a rock band that draw from pop, heavy metal, doom and many other influences, and this works extremely well for them.

Tobias and his collaborators are fantastic songwriters, when I have played tracks like Square Hammer and Dance Macabre to friends who are not into heavier genres of music, they have enjoyed them and engaged with them on a much higher level than songs by other contemporary rock bands. No one else is doing what Ghost are doing at the moment with remotely the same level of success.

Add some great imagery and live production to the mix and it is no surprise that they are the new arena filling, festival headlining act from our side of the musical world.
 
He's giving credit, where credit's due. Cenotaph is his favorite. To me production of this album is better than on the last two Priest albums.
 
He's giving credit, where credit's due. Cenotaph is his favorite. To me production of this album is better than on the last two Priest albums.

Are you mental? The production on Firepower and Invincible Shield are the best since Painkiller, thanks to Andy Sneap.
 
No, I'm limited edition. Those Priest albums are undoubtedly well-produced, but the new Ghost album feels special to me.
 
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Updated Ghost Top Ten Song list:


01. Rats
02. Marks Of The Evil One
03. Year Zero
04. Mary On A Cross
05. Dance Macabre
06. Lachryma
07. Peacefield
08. Respite On The Spitalfields
09. Monstrance Clock
10. He Is
 
Updated Ghost Top Ten Song list:


01. Rats
02. Marks Of The Evil One
03. Year Zero
04. Mary On A Cross
05. Dance Macabre
06. Lachryma
07. Peacefield
08. Respite On The Spitalfields
09. Monstrance Clock
10. He Is
Nice list! Square Hammer is what got me into Ghost
 
Question: Why is the bass player in the Lachryma video a Ghoul but in the Peacefield video a Ghoulette?
Judging from what people on Reddit are saying, the male backing vocalist and bassist are wearing the ‘nun’ outfits on the tour.

On a side note, the male backing vocalist (known as ‘Swiss‘ or by his real name Jutty Taylor) has left the tour due to personal reasons. It’s a shame as I think he has an incredible voice and harmonises with Tobias really well.
 
:)
I honestly don't care much for the early Ghost albums. For me, things really started getting good with Square Hammer, Meliora, and then the fantastic Prequelle and now the excellent Skeleta. I want Tobias to keep going in this direction. Call it pop, call it selling out — to me, this is what he does best: crafting commercially accessible, melodic rock music.

Now that I’ve relistened to the whole album, I’ve got to say — it feels incredibly uplifting. (As a foreigner, I’m mostly drawn to the melodies and music rather than the lyrics.) And I realized something... nearly the entire album rocks. It’s fast-paced or at least moves with that steady, cruising rhythm. And that’s exactly what I’ve been missing from Maiden lately. I want that energy — that sense of motion, of flying through musical landscapes. I’m honestly sick and tired of all the doom and gloom, of the worn-out formula of dragging intros and outros. Just kick some ass, for fuck’s sake — even if you’re in your 70s! (Yes, I know that’s my problem.)

But Tobias delivers on that front, at least to my ears. This album feels like a breath of fresh air.

And I totally disagree with the idea that Ghost isn’t metal or rock. They absolutely are — they’re just more accessible, and they lean into that side of things. To my ears, some Iron Maiden albums aren’t much heavier, honestly. And right now? Ghost sounds pretty damn great to me.

Edit: As for Ghost's shtick — their cartoonish satanism or jabs at Catholicism are more of a minus to me than a plus. I’m neutral on that front. What draws me in are the great melodies and top-notch production. :)
 
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So the bass player is not a female then. Weird that he opted for the same mask as the Ghoulettes wear.
Correct. I can’t remember his name off the top of my head. Maybe they are going for a gender neutral vibe with the outifts.

Fun fact. The priests and nuns in the Satanized video are the ghouls and ghoulettes unmasked.
 
Got my copy today and listened to it for the first time. Initial thoughts are the album is really consistent but in saying that there aren't massive peaks or valleys when it comes to the songs for me. Peacefield and Marks of the Evil One are the two top tracks for me right now. I think it is a high quality album. I wouldn't really say the album has the same level of highs as the previous albums but it also doesn't have the same level of lows.
 
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