My mind is already drooling from this round full of
@MineDrooler nominees!
"Flying High" is certainly very power metally, and the band is clearly heavily influenced by Kai Hansen's work. The singer isn't the best, and the vocal melody for the verse isn't all that good, but the pre-chorus melody is much better. The chorus melody is OK, but not great. Subtract a point for synth horns (do these
ever sound good?), and I am unmoved by the guitar solo. It feels like these guys are trying to crank the Helloween / Gamma Ray / Angra thing up to 11, with higher notes, more epic epicness, and cheesier cheese, but they're not hitting their marks on the fundamentals of songwriting, and this all sounds incredibly derivative. "Thundersteel" kicks off with a pretty cool riff reminiscent of Megadeth's debut. The singer is a little waily, but he's better than his competitor. The vocal melodies are generally just OK, but the chorus is pretty catchy and the guitar solos are dope. The instrumental section after the solos is great, too. Sorry,
@KiDDo, but this is an easy call for
@MindRuler's nominee.
Winner: Riot - "Thundersteel"
"The Writ" begins strangely, with something sounding like baby noises being made by an adult, and then we get an unusually high vocal from Ozzy, though the melody is actually quite good. This gets repetitive pretty quickly, then moves into a pretty good verse 2 which also gets repetitive. The semi-acoustic bridge is pretty good, and the fully acoustic chorus(?) is great. Not really thrilled with any of the guitar work here, and the song structure is kind of plodding and weird, but it has its moments. "Undying Evil" has much peppier guitar work out of the gate. The singer is whiny but capable, and the vocal melodies are strong, though the lyrics are a bit incoherent. The harmonized lead breaks are nice, but a bit too brief. Two thumbs up on the neoclassical interlude and solo, though, and the traditional solos that follow are also great. At first I felt like this was thin but enjoyable, but the instrumental section finally sold me on the song. Easy call for
@Perun's nominee.
Winner: Enforcer - "Undying Evil"
"Moonshield" was the first extreme metal track that I was ever able to tolerate. This really came down to the copious musicality of the song, and the burying of the Cookie Monster stuff deep in the mix so it functioned more as background percussion with the guitars driving the song instead of the vocals. Would it be better without the growls? Yes, of course. But I can still appreciate it in its current form.
The Jester Race is one of the very few extreme metal albums that I can listen to from start to finish without wincing, and this song is a great example of why. "Episode 666" offers much of the same melodious and harmonious riffage and leads as what
The Jester Race offered, but the muppet vocals are noticeably higher in the mix, and this song doesn't cover the same kind of dynamics as its competitor, which dipped in and out of acoustic and distorted sounds. It's still very good for what it is, but to me this is still a clear choice for
@MindRuler's nominee.
Winner: In Flames - "Moonshield"
"Looks That Kill" has a simple but appealing riff, memorable vocal lines, and a great little ascending guitar hook during the pre-chorus. The solo's pretty good too. Very good overall. "One Nation" also has a simple but appealing riff, though the vocal lines are more punky and less memorable, and the song feels a little repetitive in general. Good solo, though. Yeah, this song is only 3.5 minutes long, but somehow it feels like it drags on for 5 minutes or more. Sorry
@srfc, but I preferred the list nominee here.
Winner: Mötley Crüe - "Looks That Kill"
"Crawling" epitomizes the early Linkin Park sound that made them popular. Soft accent tones, heavy nu-metal guitars, alternately soft and screamy melodic vocals, and lighter-touch rapping. The screamy parts feel a little forced at times, and the chorus isn't one of their best, but this is still a very good song overall, especially when everything comes together for the dueling verse/chorus bit at the end. "People = Shit" starts off with a bunch of extreme metal wannabe noise for the first half a minute, then shifts into forgettable nu-metal chug with nonmelodic screamy vocals for the rest. Listening to that chorus chopped my IQ down to less than half of what it was before I started playing the song. That queasy ascending synth noise theme that popped up a few times was probably the best thing about the track, which says a lot. The easiest of easy calls for Linkin Park.
Winner: Linkin Park - "Crawling"
"The Fun Palace" has dope riffs and leads for miles, and the vocals are much better than I expected based on limited past experience with the band. I like the acoustic sections with the distorted breaks, and the solos are great. One of the verse riffs actually reminds me a lot of Doctor Smoke's style -- perhaps they were inspired by Annihilator. Aside from the vocal lines not always being the best, this was a pretty killer track -- maybe the discovery of the GMSC for me so far. Is the rest of the album this good? "Cold Hard Fact" starts off sounding a bit too much like Nirvana's "Heart Shaped Box", but soon forges its own path. I like the chunky riffage here. The vocals are really uneven, sometimes delivered well with good melodies, and other times being really screechy and forgettable -- and those backing vocals suck pretty hard. Strong solo, and the gentler section that follows and builds back to heaviness is great. The lyrics are really cringey, though. There was a good amount to like about this one, but sorry
@DJ James, I still strongly preferred
@MindRuler's nominee in the end.
Winner: Annihilator - "The Fun Palace"