Quantity vs Quality vs Consistency

Crimson Idol

Caveman
Another topic born from chat (IRC and real life) recently - Ideally this should all be done on a theoretical/rhetorical perspective, but of course it came from discussing bands so there will naturally be some fairly big similarities involved (Which I'd like to steer away from).

What to you, makes a band "good"?

I may have to name drop to get the context at times, but I'll try avoid doing it more than necessary. Anyhow... onto the discussion background!

STILL Active bands with long career's tend to have a pretty good standing just for that merit, but they are extremely varied. In some cases you have bands who released fantastic material once upon a time, with albums that were extremely solid with no real low points, and then have been exceedingly bad since with the occasional good song interspersed. Others, you have bands who have never really had any 'masterpiece' albums of consistent quality throughout, but have a decent selection of songs across their entire catalogue but spread amongst many many albums. You also get the reverse, bands who have been consistently poor for a long period of time and then had a sudden good album surge... and finally, the ones who release very few albums, perhaps every 7 years or something, but they are brilliant.

So.. of course it's hard to say without individual songs etc but which, theoretically, would you say is the 'better' band.

Would the Good->Bad band be better off having quit while they were ahead, or would they be considered to be riding on the accomplishments like a one hit wonder. (Good example of "riding" is GnR, they had 3 fantastic albums back at the late 80's/early 90's, then did absolutely nothing for 15 years!).

Is a band who has released 5 great albums (and nothing else) over 30 years better, or worse, than a band who has released 15 albums which are all average on their own, but have the same number of good songs spread across (making for one killer compilation CD) their career, but also of course the same number of bad ones.  (The first band has Quality albums, and consistent, but very little quantity. The second has consistency and quantity but not great quality etc). There is always the argument that even a 'bad' track someone somewhere will like, and a band with low Quantity that can't happen...

Is it better to have gone from being a pretty mediocre band who no one ever paid attention to for the first 20 years and then came up with a series of killer albums?  If a band releases good material first then falls down does that now add a black mark which will lower their status for releasing poor albums or will it gain them respect over the "Quit while you're ahead" types because they are still trying.

My wording isn't very good but I think I've got the point across (hope!) ... I also pondered including diversity, but I think these 3 are of more importance when people rate a band.

So, thoughts?
 
It's hard to say what is better but what also counts is live performances. Apparently lots of bands keep doing gigs until they drop, but often either they (hardly) don't do albums anymore, either their recent studio material doesn't come close to their old work.

Rush is a band I like a lot because they did lots of awesome albums and songs, and they still work to make new albums. However:

Their latest 4 albums are not that great. They are more simple and less captivating than their seventies work, and even worse than some eighties albums.

This is why no one delivers as well as Maiden does. Besides doing successful tours Maiden still deliver quality studio albums.
 
Maiden are one of the few bands I think can be listed under ALL headings, and not just saying that because I'm on maidenfans :P They aren't quite as highly regarded as some particular bands that don't tick so many boxes though.
 
I think bands should be judged by their best work, regardless of where in their catalogue it's found. If they happened to release a lot of crap along the way, it doesn't really matter one way or the other. In the end, it's the good stuff that will be remembered.

Perhaps it's easier to see greatness in bands whose best work is concentrated on just a few releases, since you can easily ignore the rest, but I don't see why it should matter - especially not in the digital age when it's easier than ever to compile your own selection of songs. In fact, the whole concept of albums is rapidly becoming outdated. But that's another discussion.
 
Shadow said:
I think bands should be judged by their best work, regardless of where in their catalogue it's found. If they happened to release a lot of crap along the way, it doesn't really matter one way or the other. In the end, it's the good stuff that will be remembered.

When I look at a band, I rather see the total picture. When I want to judge certain albums, I judge those albums. I am not going to ignore a whole discography when I want to judge a band properly.

Shadow said:
Perhaps it's easier to see greatness in bands whose best work is concentrated on just a few releases, since you can easily ignore the rest, but I don't see why it should matter -

I think it's lousy to ignore all the non-classic releases. This way you copy mainstream taste. I rather find out myself if I like a less known album or not, since I think music is a very individual thing.

Shadow said:
especially not in the digital age when it's easier than ever to compile your own selection of songs.

I did that for a while but these days I find it more challenging again to enjoy full albums. As I said, I am not the lousiest when it comes to music.  

Shadow said:
In fact, the whole concept of albums is rapidly becoming outdated. But that's another discussion.

A good one to remember! :)

So I think you don't mind inconsistency. Does that also mean that you don't mind weaker newer songs because you prefer greatest hits/golden oldie concerts instead? Just leave new material out and that's it?

Perhaps that depends on the quality and/or quantity aspect(?)
 
Forostar said:
I think it's lousy to ignore all the non-classic releases. This way you copy mainstream taste. I rather find out myself if I like a less known album or not, since I think music is a very individual thing.

I couldn't agree more! I think it is sad that many bands can only be known now through "greatest hits" albums or "essential" collections, because most of their albums, specially the less popular ones, can no longer be found. I have a Chicago greatest hits cd and frankly... I hate it. I much rather listen to the full albums I own, Chicago Transit Authority and Chicago II, both GREAT albums, meant to be listened to as a whole. Same with my Led Zep albums and many others.

At the same time there are bands I can only listen to their "hits" and not much else like America and The Cars. Love their hits.... their actual albums... eh, not so much. But for the most part I agree with Foro that while we may remember the good productions, it is good to judge a discography as a whole, like I will do with my Mastodon, Dream Theater and Opeth reiviews (yes shameless self promotion... bite me).

In the end though, I think both are good. So what if a band was a flash in the pan and had one INCREADIBLE album and then nothing more? they gave that one great album to the world. Also if they were able to consistently produce great music a la Maiden or Beatles or whoever... impressive and also a great gift to the world.
 
Forostar said:
When I look at a band, I rather see the total picture. When I want to judge certain albums, I judge those albums. I am not going to ignore a whole discography when I want to judge a band properly.

Well, there are many possible approaches here. I tend to judge artists based on what I consider their best work for the simple reason that quantity doesn't mean that much. History is full of artists whose fame is grounded in just a few works, but who are nevertheless put on equal footing with more prolific colleagues. Neither do I see any reason to rate a band lower for putting out bad stuff along with the good. I frankly don't care about the Genesis that released crap like Calling All Stations in 1997 - all I care about is the Genesis that released Selling England by the Pound in 1973.

I think it's lousy to ignore all the non-classic releases. This way you copy mainstream taste. I rather find out myself if I like a less known album or not, since I think music is a very individual thing.

I'm not saying you should ignore anything. I'm just describing a tendency I sometimes see in music criticism.

I did that for a while but these days I find it more challenging again to enjoy full albums. As I said, I am not the lousiest when it comes to music.

For me, it depends on the band. One thing I've found myself doing a lot recently is putting entire discographies on shuffle. It can be very interesting.

So I think you don't mind inconsistency. Does that also mean that you don't mind weaker newer songs because you prefer greatest hits/golden oldie concerts instead? Just leave new material out and that's it?

Perhaps that depends on the quality and/or quantity aspect(?)

What I mean is that I don't think less of a band I like for releasing a bad album, because I can still listen to the good stuff. Conversely, if a band I don't like releases a good album, I don't care about their old material.
 
Thanks for that additional explaining. Sounds indeed interesting to do some entire discographies on shuffle.

Shadow said:
What I mean is that I don't think less of a band I like for releasing a bad album, because I can still listen to the good stuff.

I'll throw in quantity and quality again:
A bad album isn't so terrible. But 10 bad albums? Or more than the half bad of the discography being bad albums?
Of course that single good album should not suffer under the knowledge that the rest doesn't reach that level, but still: I'd never rank a band with 10 bad albums on the same height as a band with 1 bad album. My 2 cents, naturally. :)

Shadow said:
Conversely, if a band I don't like releases a good album, I don't care about their old material.

I thought from your earlier explanation that you do like a band if it has only one good album, so in this case, does the "not like"-band turn into a "like band" or does it stay a "not like"-band?

Anyway, it's interesting that you still follow bands that you don't like. Means you're certainly not writing off a band so easily. I try to do that too but I find it difficult sometimes. E.g., I was so disappointed by Gamma Ray's last couple of albums that I didn't even listen to the last one (after hearing one song which sounded like a copy of a Priest song).
 
Forostar said:
I'll throw in quantity and quality again:
A bad album isn't so terrible. But 10 bad albums? Or more than the half bad of the discography being bad albums?
Of course that single good album should not suffer under the knowledge that the rest doesn't reach that level, but still: I'd never rank a band with 10 bad albums on the same height as a band with 1 bad album. My 2 cents, naturally. :)

The thing is, that never happens in my experience. I've yet to come across a band that put out one masterpiece and never did anything good again.

I thought from your earlier explanation that you do like a band if it has only one good album, so in this case, does the "not like"-band turn into a "like band" or does it stay a "not like"-band?

Well, it's a scale. If I hear something I like by a band I previously didn't care for, they get knocked up a notch.
 
There are some bands that really are multiple bands over the course of their history.  An obvious example of this is Van Halen, same band but a big difference after Roth left.

Black Sabbath and Deep Purple really fall into that category as well with all the lineup changes.
 
bearfan said:
There are some bands that really are multiple bands over the course of their history.   An obvious example of this is Van Halen, same band but a big difference after Roth left.

Black Sabbath and Deep Purple really fall into that category as well with all the lineup changes.
I, personally, prefer the first two Hagar Van Halen albums over anything they did with Roth. Can't stand his vocals.  :D
 
Bits and bobs around the VH catalogue for me. But the Hagar albums were better statistically, wasn't it like 4 #1 albums back to back or something?
 
Sabbath with Dio, Halen with Hagar, but we digress...

How about Queensryche versus Saxon comparison?

The former did some outstanding work with Empire and Mindcrime, some good stuff before then and very little since.
The latter had some solid stuff during the NWOBHM, trailed off, did some more solid stuff in the '90s again and still keeps plugging away.

I'd say Saxon has more good songs, Queensryche more great songs and a better range of songs.

I'd take Queensryche because Saxon was just never capable of reaching the heights QR did.
 
Saxon never sold out. Saxon still makes great albums. Saxon still sounds good live. So... Saxon > Queensrÿche :D
 
Saxon have lower high points, but probably also higher low points... so less deviation (which given the amount of material is pretty good).

Saxon are a good live band in terms of sound, when I saw them they werent the most energetic and the stage show wasn't the most epic... but they did SOUND great. There aren't that many bands who are energetic/epic these days I find. Maiden have the advantage of having 5 people moving around the stage to help them with that.
 
I saw Saxon and Iced Earth together - While I prefer Iced Earth, I was surprised to find that I thought Saxon blew them off stage.

Night Prowler said:
Saxon never sold out. Saxon still makes great albums. Saxon still sounds good live. So... Saxon > Queensrÿche :D
When did QR sell out? If you're talking about their latest album... That isn't sell out. It's just crap.  :D Selling out would be if they attempted to follow Operation Mindcrime with an album that musically doesn't come anywhere close just to cash in on Mindcrime's rep. Wait. They did that. Never mind!  :D :D
 
Queensryche tried to sell out definitely. Let's see the day that Saxon comes up with Wheels of Steel II.
 
Jaaaiks. I actually like that song (learned it from a best of CD) but I never saw the hair aspects of it.  :S
mckindog said:
I'd take Queensryche because Saxon was just never capable of reaching the heights QR did.

Saxon was just never capable of reaching the lows QR did.  :)
 
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