John Silver
Electric Buddy
Göteborg more like, spike. Rookie mistake but no biggie buddy.Gotebörg?
Actually it is Hisingen where I grew my horns and thorns - nevertheless smashing album.
You familiar with them?
Göteborg more like, spike. Rookie mistake but no biggie buddy.Gotebörg?
As a native English speaker, umlauts elude me. Why do you need a thing to tell you where the letters sound different? Just memorize all the differences, that's what we do in English.Göteborg more like, spike. Rookie mistake but no biggie buddy.
Actually it is Hisingen where I grew my horns and thorns - nevertheless smashing album.
As a native English speaker, umlauts elude me. Why do you need a thing to tell you where the letters sound different? Just memorize all the differences, that's what we do in English.
And cool, isn't that one of the islands near/part of the city? So more like your neighbourhood.
Not in the slightest, but I'll likely listen to the album you recommended, I generally listen to all the recommendations.Umlauts are cool like that buddy. And in Denmark they have ø to make the sound more pronounced.
An island indeed, and also part of Göteborg.
You familiar with Graveyard?
Excellent buddy- would love to hear what you think regardless if it gets picked. Don’t know your style at all but maybe it is up yer alley so to speakNot in the slightest, but I'll likely listen to the album you recommended, I generally listen to all the recommendations.
2015 was the year I got into metal, so maybe I was just paying attention better back then, but I think the overlap of 2015-2016 was a pretty big time for the genre. Iron Maiden, Ghost, the Big 4, and several other big names were all releasing albums and it was a pretty exciting time for a new guy like me. 2019 seems like it won't be half bad either.Some years are bigger than others for metal. What is the most recent year you consider to be a landmark metal year?
This made me chuckle, because I had an instant negative reaction to the vocals too. Sort of an affectation when transitioning between words/syllables -- a stronger singer would just hit the damn note. Of course, I've only heard a couple tracks so far.The other thing is that I don't like John Arch. He can't keep a line straight and sounds like he's all over the place in an attempt to be theatrical. . . . He's got a really weird style of singing that at time is like a very off James LaBrie mixed with Bruce Dickinson intonations and covered in autotune. Is there some vocal effect on his voice? I genuinely can't tell.
Sounds great! I have to check it out lol.He's got a really weird style of singing that at time is like a very off James LaBrie mixed with Bruce Dickinson intonations and covered in autotune.
Well I prefer the older stuff - up to and including Twilight Of The Gods, but I promise that if Blood is chosen I'll give it a few serious listens. Maybe after the huge disappointment 23 years ago I might find something in it.I nominate Bathory - Blood on Ice. When people retroactively look at Bathory, Blood on Ice sometimes gets forgotten in lieu of their Viking tinged trifecta. My friends that are into Bathory don't enjoy this album too much, although critics of it online are much fewer. To me, it's just a notch under Hammerheart. Stunningly beautiful album.
So you were around when it was released? Curious to know what the general fan reaction was around that time. And yes, Blood on Ice doesnt have a strong opener or closer, but its strengths lie in the middle. There are some absolutely beautiful melodies in The Lake and Woodwoman. Man of Iron is a sensitive song that plays on Quorthons imperfect English pronunciations and singing abilities. One Eyed Old Man is a weird punk rocker on there that I love too.Well I prefer the older stuff - up to and including Twilight Of The Gods, but I promise that if Blood is chosen I'll give it a few serious listens. Maybe after the huge disappointment 23 years ago I might find something in it.
Don't know about general fan reaction, I remember mine and those of my pals who were into such music, and it was basically huge disappointment mixed with some desperate attempt to find at least something likeable about it. After the awful Requiem and Octagon there was some hope new album would be in the vein of Blood Fire Death and Hammerheart (especially since it was supposed to be 1980s material); I remember it sounded pretty pathetic to us. Haven't heard it for more than 20 years now so don't remember much detail, will probably give it a listen regardless if chosen or not.So you were around when it was released? Curious to know what the general fan reaction was around that time. And yes, Blood on Ice doesnt have a strong opener or closer, but its strengths lie in the middle. There are some absolutely beautiful melodies in The Lake and Woodwoman. Man of Iron is a sensitive song that plays on Quorthons imperfect English pronunciations and singing abilities. One Eyed Old Man is a weird punk rocker on there that I love too.
Thats the thing though, theres no Asa Bay's, or A Fine Day to Die's or any Twilight of the God's. Is it lacking that singular epic that would've put it in the "Bathory hall of greatness", but it is still a great album.
Göteborg more like, spike.
Big Spike. Don't care for it.