It's Deep Purple Week on Maidenfans!
First, about the poll... I think Saxon and Apocalyptica are a bit narrow. I doubt many people here have the albums - I have about 2/3rds of Saxon but no Apocalyptica, and I have one of the biggest libraries on this forum. So I have changed the options to broader topics that will include Saxon or Apocalyptica: NWOBHM or any classical/rock hybrids you can think of.
I'll be back in a minute to talk some Purple. Lemme go unpin the Savatage thread...
...back now. First of all is their first few albums, before the Mark II lineup. These are full of great rock. Nick Simper is one of my favorite underrated bassists, and Lord's experiments with classical music produced some interesting results. The classic from this period is "April", a 3-part epic: spaghetti western music (you read that right), orchestral music, and it closes with a kick-ass heavy rock song. (Entire 12-minute epic here.)
Then you've got the classic Mark II albums. In Rock and Machine Head are well known, but I've always appreciated Fireball too. Made In Japan is obviously the crowning achievement. The live version of "Strange Kind Of Woman" is just incredible.
Burn and Perfect Strangers were alright, but I don't think they really got the fire back until Steve Morse joined. Every album since then has been rock-solid. Bananas is especially great.
First, about the poll... I think Saxon and Apocalyptica are a bit narrow. I doubt many people here have the albums - I have about 2/3rds of Saxon but no Apocalyptica, and I have one of the biggest libraries on this forum. So I have changed the options to broader topics that will include Saxon or Apocalyptica: NWOBHM or any classical/rock hybrids you can think of.
I'll be back in a minute to talk some Purple. Lemme go unpin the Savatage thread...
...back now. First of all is their first few albums, before the Mark II lineup. These are full of great rock. Nick Simper is one of my favorite underrated bassists, and Lord's experiments with classical music produced some interesting results. The classic from this period is "April", a 3-part epic: spaghetti western music (you read that right), orchestral music, and it closes with a kick-ass heavy rock song. (Entire 12-minute epic here.)
Then you've got the classic Mark II albums. In Rock and Machine Head are well known, but I've always appreciated Fireball too. Made In Japan is obviously the crowning achievement. The live version of "Strange Kind Of Woman" is just incredible.
Burn and Perfect Strangers were alright, but I don't think they really got the fire back until Steve Morse joined. Every album since then has been rock-solid. Bananas is especially great.