Here is more info behind this track, found on the web. By the way, the whole interview with Gers (more than a year old) is pretty interesting, also handling about other songs!
source:
[a href=\'http://www.cavemanproductions.com/IMivs.html\' target=\'_blank\']http://www.cavemanproductions.com/IMivs.html[/a]
Q50 When you were co-writing the track ‘Dance Of Death’, did you come up with that catchy ‘devil’s trill’?
There was something I put together quite a while ago and I played it to Steve and he really… he liked it a lot and he came in with some melody ideas for it, for the different… vocal melodies and stuff. And then he came in with a couple of thematic melodies which run through it as well. And so he was just putting different ideas together. It was basically the same as it is now, with a few little bits and pieces added. And the idea originally was a movie I saw years ago – ‘The Seventh Seal’, Ingmar Bergman movie. It’s a really old famous movie. I think it was done about ’57 or something like that, black and white, and what struck me, there was a knight in there who was looking for something in the world that would be worth surviving for and Death comes for him and he wants to survive long enough to find some faitih and some humanity in this world of plague and wars that he lives in and he begs Death tolet him live long enough to find this faith and hope and Death plays chess with him, and it’s kind of an allegorical tale and it’s very… I find it a fascinating tale. And at the end, Death comes for him and he takes him away, him and this little troupe that he’s with. And the end of the movie – which I’m told was something that they just stuck in at the very end and all the actors had gone home and they had to… it was something that Ingmar Bergman just had an idea for. And the end of the movie, they do the Dance Of Death into the distance and you see them dancing over the mountains, and it just struck a chord with me. For a long time I’ve thought about doing something about that, and so I took that idea into Steve and he took it on a completely different tangent, he went somewhere else with it and expanded it and came up with some amazing words, and it’s quite an epic song and it’s thematic in content, and I think there’s very few bands can do those kind of songs any more, or allow themselves to do it. And we perhaps have a little bit of freedom. I think with that song and with ‘Paschendale’, there’s not too many bands who can do songs like that.