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Late in the game but this sums it up in general. I can understand leaving Another Life (hideous song) or Charlotte the Harlot behind, or Innocent Exile (tho I love the tune), but it's a shame that the likes of Prowler, Sanctuary, Drifter, REMEMBER TOMORROW disappeared from setlists after 2005...

The full album? What a continuous shot it must been!

Got me jump on my couch lmao. I didn't see it coming. For a moment I believed that was The Trooper, the song that had never been used in a movie or show before.

Rediscovering the King lately. Nightmares & Dreamscapes has been waiting on my shelf since pre-covid so it's time to give it a shot.

Well yes but imagine being with the boys at the pub and "one more for the road lads, Ales High!"

It has always been part of the game with signatures—hasn't it? At least half of the price is due to the doodle on the headstock.

It'd be left there as if the shelves themselves had the force to keep the bottles. The so-called Powershelves.

Another day, another wasted occasion to make a beer and call it "Ale High".

Seventh Son of a Seventh Son until the solo kicks in. I'm still convinced Steve had a couple of passable melodies and a good instrumental and didn't know how to put them together, so he thought "oh, beef hooked" and used the first thing that came to his mind. Then a gallop under the melodies...

Demo (not a particularly good one) of Dave's new signature model: This one is a mere presentation but includes Steve's bass:

In Martin Popoff's Hallowed Be Thy Name there is a passage where Janick speaks about The Legacy and mentions "a man of peace" having the whole politics of Middle East in his hands and creating all the problems of that area geopolitically, and that he was ill. I don't remember if he addressed...

From Here To Eternity ('They took a tumble at Devil's Bend').

Holy cow

I agree completely, and in fact in the previous pages we saw that the Kossoff actually did not mount a Fender bridge for most of the time.

Maybe not a Floyd specifically, but one of the criticisms at the time was that they opted for a standard Fender bridge (with all its tuning deficiencies, in a guitar primarily—if not only—aimed at heavy metal playing), when in fact the Kossoff clearly mounted different different bridges when it...

Strange World homemade acoustic cover. Even more Pink Floyd-ish at times (some acoustic moments of Barrett-era / Ummagumma come to mind).

The prototype which is also how they should've done it, but I can understand that the configuration would have probably shot to the stars the price for a guitar that wasn't going to be a best seller anyway. (Not that it was particularly cheap, it was a signature after all.)

Thanks!