How unprofessional would that be? My hair is standing on end right now.
As a band, you want to rehearse in peace as much as possible and not give the fans the idea of coming to see them by confirming that the band is there now.
I have to say that maybe even Pooch would have been better asked...
His management will have given the interviewer a list of topics that must not be addressed. Metal Hammer Germany was explicitly not allowed to ask Adrian about the loss of his house or about Nicko and Simon during the interview about the new album.
I remember (and it should be in a thread in...
This is really not surprising or unusual. And I'm not saying that now because Bruce has confirmed it.
I think it would have been better for Simon's acceptance if a band member had made a few remarks like Bruce did now earlier.
I found it reassuring to know that Juras is not in the documentary. I would have found that very unfortunate and was a little worried that I would learn he has a part in it.
Will you also watch the movie with Bruce, “Bjorn of the Dead”? (Björn?) I was just reminded by this article where he is mentioned:
https://ultimateclassicrock.com/upcoming-rock-biopics-and-films/
But then Roy must have given permission for his contributions to be used on the new album (which I wouldn't have thought). If not, that would be one of those situations where you could end up in court with former band members.
I would interpret that to mean that he also wants to go into the studio more with ideas/sketches of songs. Otherwise I would wonder when he had the time to develop finished songs.
Even if the album isn't my thing, I'm still surprised about the many negative comments it gets on the Iron Maiden Facebook page.
Sure, it's hard rock, but the separation to metal fans is not that clear-cut and these are fans of Maiden and their members posting there.
That is a disappointment. I was hoping that they had coordinated their solo activities and agreed that they would all tour at the end/by the end of the year.
I had a look at the tickets that are available for Gelsenkirchen now. I wouldn't consider these to be very good seats either in terms of the acoustics or the view of the stage, nor can they have anything to do with the stage design.
Since we have the opportunity to speak to the bassist personally we ask him if he heard Bruce Dickinson's voice in his head when he was composing. His answer is quite surprising:
“Not necessarily, because he was able to sing almost everything I put in front of him. So when I wrote, I wasn't...
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