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Beauregard is lying @Jer ,Divorceress is the only growl free album and the only album you'll ever need to hear period. https://mooncityplayers.bandcamp.com/album/divorceress

I love the first one too

Woah, I thought it was Steven doing the whole thing. But I also thought he sings the clean parts in Deliverance :)

Had Deliverance at #6. Title track and Master's Apprentices are great, actually I didn't like Master's Apprentices all that much until recently. I thought the intro riff was too cliche, but it works for me nowadays. It gets even better after them, though I have to say, the scream at the end of...

Thanks for the update, hope things are well :ok:

This is the thing to hear lately!

Thanks for this stupid fucking ceasefire. Now I have to endure this cold without heat :rolleyes:

Update on the Celeste situation:

Something interesting to me about Opeth is how each and every song is its own beast, yet at the same time they're still formulaic in a sense. Which is again a little weird to say, but when you think of classic Opeth you think of the heavy/clean contrast, and when you think of the heavy/clean...

Aquarius is just more... Moving.

Funnily I had PC and Morningrise side by side in my list and it was the duo I sat longest on. Morningrise is the "I'm giving it too much credit" one, and most of it is thanks to Advent. It still has a lot of those rapid changes that hinder the first three albums, but if there's a song where it...

Third to last for me too. I saw some people say it was the beginning of the golden era, and well it's correct in a way. The change from counterpoint to signature Opeth riffing does happen here, not on Still Life. On the other hand, there are still remnants of the black metal aspect, including...

Wooooah, that's a lot of #12s guys. I don't really understand what you mean here. It's bound to be lower rated as it's Newpeth, but it's the consensus best of those (not here I guess). But how is TLWAT related? I do like ICV a lot, enough for it to break the old/new boundary I imagine most of...

I like all Opeth albums that aren't Heritage, that being said, I have Orchid second to last. Sadly it came late to my Opeth party and I never gave it special attention like I did the others, however my thoughts on it remained consistent whenever it came up: In Mist She Was Standing is a banger...

Interesting, I always felt it's the lightest Opeth record and this is also part of the reason I could rank it so high, it stands out this way. You've got easier melodies, more "standard" rock energy (Era, Chrysalis), and instead of "dying men in bewildered soliloquies", "I'm a sinner and I...

And all is right with the world. Heritage has "a vibe" and that's it. Not much more than a random assortment of ideas, some of them are more pleasant to the ear, the others less, but they all feel like they're only friends with each other because they fit some atmospheric frame. It's aimless and...

I quite like it, but I agree, it doesn't have the magic of the other 9 here. Should have been Navigate or Kill Devil Hill for sure.

Wrong @Collin I presume :P Hopefully tomorrow I get home and I'll do a quick marathon maybe, but I have a concept of a list.

Nice! Go for it, I've completed the B-sides and they had some very fun gameplay. I'll put the next bit in spoilers I guess, but it doesn't really spoil anything, just want to share my great mistake(=rant about it).

Very exciting, it has a big BC&SL vibe (some self-plagiarism even), I like the production and LaBrie sounds very good actually. I don't know this word but it's a cool album name. Cover is like the twisted counterpart of I&W's which is fun. 1) In The Arms Of Morpheus (5:22) 2) Night Terror...