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The band pretending that the Ripper era didn’t exist really tarnishes their reputation. It’s just ugly and mean spirited. They don’t have to play the songs but at least acknowledge the records exist. It kept the band alive whilst Rob was busy indulging himself and not giving a fuck.

Ouch, this one hurts. I don’t think there’s a single weak track on this album. Judas is Rising is one of my all time favourites and Revolution is a fun, ear worm single. I used to have a lot of house parties and often I’d get bored and ditch my guests and go listen to this record super loud in...

His voice still sounds quite strong but that’s not good singing.

This joke is recycled more often than KK recycles song titles.

Most of KK’s complaints (management of the band) are the exact same ones Rob had and talked about during his 12 years out of the band. But nobody criticises Rob for it. He does interviews and he’s asked the same old questions and he answers them and it becomes a click bait headline for people...

I agree there, I think both bands have hinted at a more 70’s / proggier style (or more complex song structures) and neither have really delivered on that.

I think that’s the point as a founding member of Judas Priest. Full of duelling guitars and twin harmonies, it’s a whole load of fun. Invincible shield..I’m already bored. Beyond the few tracks that originally stood out to me it’s just dull. The mob can enjoy their new album hysteria but...

KK’s last record is better than Priest’s new one and it’s not even close :-)

After a few more listens I think my only real issue with the album is the production. The ‘Sneap’ sound comes across as initially powerful and red blooded but is ultimately very generic and leads to everything sounding the same. That combined with the ubiquitousness of Faulkner’s playing style...

That’s Sons of Thunder. Utterly forgettable.

It seems like a devisive song. I’ve seen a few say they love it and quite a few say it’s the worst song in the album.

Absolutely love this one. I wish they’d pursued this style a bit more on the album. Feels like it could have been on Sin after Sin.