DJ James
A coma stole my name.
Up From the Crypt, Ep. I - Manilla Road's Voyager
Up From the Crypt, Ep. II - Manilla Road's Mystification
Up From the Crypt, Ep. III - Manilla Road's Mysterium
What I've been digging as of August 3rd, 2014 (Up From the Crypt, Ep. IV)
Up From the Crypt, Ep. V - King Crimson's In the Court of the Crimson King
Honorable Mentions:
12. Rock 'n' Roll (1987)
There are many Motörhead fans out there that rank this album among their least favorites, citing the somewhat uninspired playing and flat songwriting as major flaws that they just can't get past. I say that Rock 'n' Roll is a great album, misunderstood at times, that almost perfectly nails the near impossible task of following up to 1986's Orgasmatron. Rock 'n' Roll is fun, consistent, and can't give a damn about what you think about it. Highlights: Rock 'n' Roll, The Wolf, All For You.
11. Kiss of Death (2006)
Heralded by fans as a top notch slab of modern Motörhead, Kiss of Death greatly surpasses the Inferno album by a longshot. Building on and fine-tuning the solid foundation set by the two preceding albums, Kiss of Death is extremely heavy and features some of the best Motörhead tunes that have ever been pumped out. Fantastic songwriting, great performances... Kiss of Death is practically essential Motörhead. Highlights: One Night Stand, Trigger, Under the Gun.
Top Ten Motörhead Albums
10. Motörizer (2008)
The Metal Archives Page
Motörhead is a band that never truly struggled to find a comfortable sound. Mixing sounds from the just then budding NWOBHM scene, various rock 'n' roll bands, blues, and rockabilly, Motörhead's debut (and the hundreds of albums that followed) had a one-of-a-kind sound that was distinctly and undeniably Motörhead. Motörizer takes that classic, signature noise and cranks it up to 11. If you ask me, "Is Motörizer the heaviest Motörhead album since Orgasmatron?", I'll tell you, "Hell, even heavier.". I mean this album is just so damn bluesy and even a little thrashy at times. It's a tone that Motörhead have been tasking themselves with recreating ever since this album came out. Outside of the near perfect atmosphere on the album, the performances by the Motörhead crew is phenomenal. When solos are suppose to rip, they simply destroy. When drum fills are suppose to paralyze, they get charged with voluntary manslaughter. The pacing on the album could be better. Motörhead chose to put all the real heavy hitters at the beginning (with the exception of the last track) and loaded half of the album with filler tracks. No big deal, it's a problem that albums like Ace of Spades and Another Perfect Day struggled with too. Highlights: Runaround Man, Rock Out, One Short Life, The Thousand Names of God.
I give this album an 83/100.
Here is my recommended track "Teach You How to Sing the Blues"
9. Another Perfect Day (1983)
The Metal Archives Page
I always have trouble putting my feelings for this album into English. Good god, this album is intimidating. I mean just look at that cover. This is one of those Motörhead albums that kinda slips everybody's mind when Motörhead is brought up. It's a really, really good album that kind of has gained a cult following since the initial sour reception it received in 1983. It features Brian Robertson (of Thin Lizzy fame), Philthy Animal, and that bass player/singer guy whose name I can't quite recall. If anything, everybody on the album plays solid. Brian Robertson is interesting to hear, since he kind of stands in stark contrast to the likes of Fast Eddie Clark. The production on Another Perfect Day comes under fires sometimes for being too "sleak" and refined. At times, the album gets kind of quiet, but it's not exactly that big of a problem due to the fact that Motörhead is suppose to be played loud anyway. I would consider this album to be one any fan of heavy metal should listen to and form their own opinion and judgement of it. The songwriting here is phenomenal, there's a certain charm to each song that really carries the album into Motörhead glory. Highlights: Back At the Funny Farm, Dancing On Your Grave, Rock It, Another Perfect Day.
I give this album an 85/100.
Here is my recommended track, "One Track Mind"
8. Aftershock (2013)
The Metal Archives Page
Wow, talk about modern Motörhead. Motörhead's efforts from Hammered and onward have been simply amazing. However, this one deserves special recognition because it came out just last year... and, surprise, surprise, it kicks major ass. With previous Motörhead albums, the pacing has been jagged and that sometimes obstructs a Motörhead album from reaching maximum potential. Now I'm not saying that this album has any less filler than previous albums, but that this album is paced beautifully. The song writing is truly a step up from the bit-more-than-lackluster The Wörld is Yours album. Also, everybody sounds shockingly brilliant on every single track. The production here is that big-budget, thick production job that has become the standard for Motörhead albums nowadays. Hell, even The Wörld is Yours had an awesome production. Overall, Aftershock surprised and wowed me 'til the very ending notes of the last track. Highlights: Heartbreaker, Coup de Grace, Lost Woman Blues, Going to Mexico.
I give this album an 86/100.
Here is my recommended track, "Silence When You Speak to Me"
I will be updating this list every day this week. While you wait, vote for your favorite Motörhead album!
Up From the Crypt, Ep. II - Manilla Road's Mystification
Up From the Crypt, Ep. III - Manilla Road's Mysterium
What I've been digging as of August 3rd, 2014 (Up From the Crypt, Ep. IV)
Up From the Crypt, Ep. V - King Crimson's In the Court of the Crimson King
Honorable Mentions:
12. Rock 'n' Roll (1987)
There are many Motörhead fans out there that rank this album among their least favorites, citing the somewhat uninspired playing and flat songwriting as major flaws that they just can't get past. I say that Rock 'n' Roll is a great album, misunderstood at times, that almost perfectly nails the near impossible task of following up to 1986's Orgasmatron. Rock 'n' Roll is fun, consistent, and can't give a damn about what you think about it. Highlights: Rock 'n' Roll, The Wolf, All For You.
11. Kiss of Death (2006)
Heralded by fans as a top notch slab of modern Motörhead, Kiss of Death greatly surpasses the Inferno album by a longshot. Building on and fine-tuning the solid foundation set by the two preceding albums, Kiss of Death is extremely heavy and features some of the best Motörhead tunes that have ever been pumped out. Fantastic songwriting, great performances... Kiss of Death is practically essential Motörhead. Highlights: One Night Stand, Trigger, Under the Gun.
Top Ten Motörhead Albums
10. Motörizer (2008)
The Metal Archives Page
Motörhead is a band that never truly struggled to find a comfortable sound. Mixing sounds from the just then budding NWOBHM scene, various rock 'n' roll bands, blues, and rockabilly, Motörhead's debut (and the hundreds of albums that followed) had a one-of-a-kind sound that was distinctly and undeniably Motörhead. Motörizer takes that classic, signature noise and cranks it up to 11. If you ask me, "Is Motörizer the heaviest Motörhead album since Orgasmatron?", I'll tell you, "Hell, even heavier.". I mean this album is just so damn bluesy and even a little thrashy at times. It's a tone that Motörhead have been tasking themselves with recreating ever since this album came out. Outside of the near perfect atmosphere on the album, the performances by the Motörhead crew is phenomenal. When solos are suppose to rip, they simply destroy. When drum fills are suppose to paralyze, they get charged with voluntary manslaughter. The pacing on the album could be better. Motörhead chose to put all the real heavy hitters at the beginning (with the exception of the last track) and loaded half of the album with filler tracks. No big deal, it's a problem that albums like Ace of Spades and Another Perfect Day struggled with too. Highlights: Runaround Man, Rock Out, One Short Life, The Thousand Names of God.
I give this album an 83/100.
Here is my recommended track "Teach You How to Sing the Blues"
9. Another Perfect Day (1983)
The Metal Archives Page
I always have trouble putting my feelings for this album into English. Good god, this album is intimidating. I mean just look at that cover. This is one of those Motörhead albums that kinda slips everybody's mind when Motörhead is brought up. It's a really, really good album that kind of has gained a cult following since the initial sour reception it received in 1983. It features Brian Robertson (of Thin Lizzy fame), Philthy Animal, and that bass player/singer guy whose name I can't quite recall. If anything, everybody on the album plays solid. Brian Robertson is interesting to hear, since he kind of stands in stark contrast to the likes of Fast Eddie Clark. The production on Another Perfect Day comes under fires sometimes for being too "sleak" and refined. At times, the album gets kind of quiet, but it's not exactly that big of a problem due to the fact that Motörhead is suppose to be played loud anyway. I would consider this album to be one any fan of heavy metal should listen to and form their own opinion and judgement of it. The songwriting here is phenomenal, there's a certain charm to each song that really carries the album into Motörhead glory. Highlights: Back At the Funny Farm, Dancing On Your Grave, Rock It, Another Perfect Day.
I give this album an 85/100.
Here is my recommended track, "One Track Mind"
8. Aftershock (2013)
The Metal Archives Page
Wow, talk about modern Motörhead. Motörhead's efforts from Hammered and onward have been simply amazing. However, this one deserves special recognition because it came out just last year... and, surprise, surprise, it kicks major ass. With previous Motörhead albums, the pacing has been jagged and that sometimes obstructs a Motörhead album from reaching maximum potential. Now I'm not saying that this album has any less filler than previous albums, but that this album is paced beautifully. The song writing is truly a step up from the bit-more-than-lackluster The Wörld is Yours album. Also, everybody sounds shockingly brilliant on every single track. The production here is that big-budget, thick production job that has become the standard for Motörhead albums nowadays. Hell, even The Wörld is Yours had an awesome production. Overall, Aftershock surprised and wowed me 'til the very ending notes of the last track. Highlights: Heartbreaker, Coup de Grace, Lost Woman Blues, Going to Mexico.
I give this album an 86/100.
Here is my recommended track, "Silence When You Speak to Me"
I will be updating this list every day this week. While you wait, vote for your favorite Motörhead album!
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