Progressive rock / metal

I've listened to just about everything up to A Passion Play multiple times, always seeing if something grows on me. There's usually something I can appreciate but overall not my thing. For example, Thick As A Brick Side 1 has some great moments, but Side 2 ruins it. Benefit was by far the most consistent thing I've listened to so far.
 
Okay, I get that. I also think they're inconsistent, though for me it's more discography-wise. That is, the number of meh to bad albums possibly surpasses the number of the really good ones.

I'm still completely crazy about Passion Play and (mostly) TAAB and Minstrel. Songs from the Wood, Horses and Too Old, while patchy, are also quite enjoyable. Aqualung's quite hit and miss, so is Stand Up. Stormwatch is already a boring retread and I don't think I've listened to any of the Eighties and Nineties albums and This Was more than once.

That said, their 70's rhythm sections are, IMHO, absolutely astonishing and Martin Barre is a truly excellent guitarist, in fact, throughout the second half of their career Barre was quite often the reason to listen to the band at all.
 
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Camel - Never Let Go :notworthy::notworthy::notworthy::notworthy::notworthy:That intersection from around 4th minute and that solo later on are so great. Awesome music!
 
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This is the current favourite band of my collegue at work:
Very nice music at first listen. Not that fond of the vocals yet. I prefer the more calm instrumental passages.
 
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Agreed, great album. Unfortunately probably going to be their last.
 
He looked really unhealthy when he played here last year, I'm sadly not surprised. He was way too skinny, based on pictures (I didn't go to the actual show.)

On the other hand I saw him with Sanctuary and he was pretty good there.
 
Any fans of King Gizzard and the Lizard Wizard (say that 5 times fast) ... started listening to them on a recommendation, pretty damn good band from Australia

 
I checked out the album they released at the beginning of the year, enjoyed it, but then lost track when they released 4 more albums. I really liked what I heard though and intend on catching up eventually.
 
I have a bit of travelling and have all 5 that they released this year ... which is kind of insane releasing 5 full length albums in a year ... going to try to plow through 3 or 4 of them at least.
 
Saga plays their final show tomorrow.

For historical reasons, I recommend everyone to read this article. Better even is getting into this band. I hope I've tagged all active members who have showed interest Saga. Also people who have country connections (Canada and Germany) and/or who are into Elton John ;-).

@LooseCannon @mckindog @Perun @Mosh @JudasMyGuide @terrell39 @Cosmiceddie @Brigantium

Elton John was perplexed. He was on stage in front of 100,000 Germans at the 1985 Rock am Ring festival. He was the headliner, but chose to go on in the early evening so he could take his helicopter back home to England. Near the end of his set, he could hear the crowd chanting with increasing volume: "Sa-ga! Sa-ga! Sa-ga!" Backstage, Ian Crichton of Oakville, Ont., couldn't believe what he was hearing. They were chanting the name of his Canadian band, due next on stage, drowning out the end of the superstar's set.

Saga is left out of most histories of Canadian music. A couple of their songs still surface on classic-rock radio – On the Loose and Wind Him Up, both from 1981's Worlds Apart – but Saga is never spoken of in the same sentence as Rush, the Guess Who or the Tragically Hip, even though Saga has sold eight million records worldwide. Granted, only 250,000 of those were sold in Canada, between 1980 and 1983. Most of the rest of their sales were in Germany and Scandinavia – that's where they spent most of 2017 on a sold-out farewell tour, after deciding to pack it in after 41 years. They play their final Toronto show Feb. 24 at the Phoenix.

Saga is a band of square pegs, playing pop songs with technical wizardry and a harder rock edge. Jim Gilmour's synths duel with Crichton's lead guitar in ways not heard outside of funk or jazz or, well, Rush.

Rush already had a core audience when it brought in the synths in 1980 (and hired Saga as an opening act). Saga's self-titled debut came out in 1978, a time of disco and punk, when prog rock was a dirty word. That didn't bode well for a bunch of Gentle Giant fans with a penchant for synths that required a bank loan to purchase. Bassist Jim Crichton (brother of Ian) bought his first Moog synth from a local appliance store; he found it displayed between two washing machines.

"We didn't want to be looped in with prog," says Gilmour, who joined in 1979.

"That's why we have friendlier songs; it's not just all virtuosic playing, although we do that also." Three original members came from the band Fludd, which had a Canadian top-20 hit with the country-pop song Cousin Mary. Ian Crichton cut his teeth in the central-Canadian bar circuit playing Zeppelin covers. Singer Michael Sadler is a magnetic performer who also plays keys, bass and drums when called for.

There is an inescapably prog bent to Saga, however, starting with the fact they have 16 "chapters" spread across their albums – out of order, no less – telling a science-fiction story about Albert Einstein's preserved brain and aliens' role in humans' self-destruction. Because of course they do.

Saga's first six months as a band were spent writing original material before debuting it at the Tudor Tavern in Cambridge, Ont., in 1977.
... read on:

How Ontario’s Saga found stardom and longevity in Europe


Saga plays their final Toronto show Feb. 24 at the Phoenix.
 
Wish I could have seen Saga live but to my knowledge, outside of a cruise ship, they have not played the US since the 80s.
 
I only found out about the final show in Toronto once I had made plans to come to Indianapolis on the same weekend. Sad!
 
Talking of progressive rock/metal I can’t get enough of Orphaned Lands latest album, I absolutely love it.

Been on a massive orphaned land binge since it came out and been listening to nothing else lol. Superb band that I wish for more recognition. Found out they are playing in London this Monday at the pokey Camden underworld. Monday night gigs are an utter pain in the arse but if it was any other venue I might make the effort but the underworld is barely bigger than my broom cupboard and tickets are always oversold plus literally being underground as well as being uncomfortably packed it’s got no proper ventilation so it’s a total sweat box. Rant over ha ha.

Hopefully I’ll catch them at some other point in the future as I’d love to see them live.
 
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